Something unique to treasure
I love to take on commissions; creating a painting according to your specific requirements.
People ask me to paint pictures especially for them for various reasons; to mark a ‘big’ birthday perhaps, or for an occasion or event, such as a wedding gift. I have painted commissions that recall significant events or places in people’s lives, a walk through a specific landscape, a map, or a line from a favourite book, for example. I love to take on pet portraits, too, but I rarely take on people portraits as this is a specialist area.
Things to consider
If you’re interested in commissioning a painting, there’s a number of things I need you to consider and for me to understand before I begin thinking about sharpening my pencils and getting my brushes wet. Practical stuff…
Medium & format
Size & budget
Subject matter
Deadline
Other things you should know about...
Trust
This is not just a simple transaction of you acquiring a painting you’ve already seen and know you like. Whatever I produce will ultimately be my vision and interpretation inspired by your idea; I can’t ever see exactly what’s in your mind’s eye. This is an inescapable truth. Commissions require trust.
Right and wrong
I once took a commission from someone for a painting they could already ‘see’ it in their mind’s eye. I explained I couldn’t see into someone else’s head, but I (in hindsight, foolishly) agreed to the commission. They didn’t want my first painting, even though it was what they’d asked for. So I took more detailed notes from them about what was ‘wrong’ with it and went away to paint precisely what they asked for. The second painting still wasn’t ‘right’. It quickly became obvious that I was never going to get it right. Fortunately, the subject matter they chose made it easy for me to sell my two ‘failed’ attempts to other buyers, so my time and efforts were not in vain.
Making changes
Once we have agreed on a commission and I have begun composing the work and painting, it is very difficult (impossible in the case of watercolour) for me to change anything. So you have to trust me to get on with the work (you will have already seen my work and know I can do it) and I have to trust that you’ll have it.
Finally
I won’t ask you to sign any contracts; I much prefer to build a trusting relationship with you. For new buyers, I ask for a non-refundable proportion of my estimate up front.
A painting made especially for you is very special indeed. The thought, love and care we put into its creation now, the story behind it and the spirit of the final piece will last a lifetime. I won’t let you down.
Here are just few of the commissioned paintings I have already made:
Pocketful of pebbles
“Just some pebbles, the way you do them” was the brief.
What will be in your painting?
- The British Cartographic Society champions the art and science of map-making [...] and as a native of Oxfordshire, I can fully appreciate the wit that Jane incorporates into her work, especially in her monochrome treatment of Oxford and her more recent celebration of the entire county. The way in which she lovingly represents the landscape and features of the area, together with some of its more well known characters, does an excellent job of literally painting a picture of Oxfordshire. Maps can be intended to guide and inform, encouraging you to explore an area [...] Jane’s work, it will certainly inspire you to find out more about the area and its very rich history. Her works are wonderful examples of maps as art.Peter JonesPresident, British Cartographic Society
- We haven’t been to any exhibition before where we liked almost everything!
Mike, Sarah & Laura DavisOxfordshire - "The murmuration has arrived! It's stunning! As predicted, I can't stop looking at it!"
- You have captured something of the art and science of nature.Rupert MolloyOxfordshire
- I don't know what it is about your paintings, Jane... they soothe me, make me smile and give me a sense of being connected and belonging.
Nicki R, Oxfordshire - Jane has, over the years, produced a body of the most life-affirming, colourful and magical contemporary art around. Scenes and depictions of subjects, mostly drawn from the natural world of which she is such a fan, occupy a beguiling hinterland between realism and the magical and as such, bestride detailed observation and whimsical imagination with delightful results. There's humour present, especially in Jane's detailed but almost otherworldly maps of places that offer an unfamiliar view of the familiar.
Russell Bloor Manchester